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London: The Modern Babylon: Film Review
A kaleidoscopic collage of social history and popular culture, momentous public events and intimate human stories, this sprawling documentar...
Thy Womb (Sinapupunan): Venice Review
An infertile midwife turns matchmaker for her aging husband in the ever-prolific Brillante Mendoza 's colorfully ethnographic but tor...
Reincarnated: Toronto Review
TORONTO Any music star looking to stay relevant and sustain a career over multiple decades needs a certain flair for self-reinvention, a...
Fill the Void (Lemale Et Ha'Chalal): Venice Review
Not just a charming and accomplished first film, Fill the Void qualifies as one of Venices most exotic competition entries, throwing ope...
The Perks of Being a Wallflower: Toronto Review
TORONTO -- There are both advantages and drawbacks to The Perks of Being a Wallflower , a heartfelt but rather generic coming-of-age dram...
Booker's Place: A Mississippi Story: Tribeca Review
NEW YORK Building a surprisingly powerful portrait around a single, long-forgotten scrap of film, Raymond De Felitta 's Booker's...
My Father's Bike (Mój rower): Wroclaw Review
WROCLAW, POLAND - Music is the food of family-bonding in My Father's Bike (Mj rower), a wryly comic crowdpleaser from Poland whose p...
Death By China: Film Review
Full of legitimate, even urgent concerns but so garish in tone it encourages viewers to view it as propaganda, Peter Navarro 's Deat...
The Man Who Laughs (L'Homme Qui Rit): Venice Review
A powerhouse end justifies some clunky means in The Man Who Laughs ( L'Homme qui rit ), Jean-Pierre Amris ' functional, liberal a...
Mother's Paradise (Ray dlya Mamy): Film Review
WIESBADEN - Set in rural Kazakhstan, scripted by the Iranian maestro Mohsen Makhmalbaf and directed by Kyrgyz-born Aktan Arym Kubat , Mothe...
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Kat Von D Talks Failed Relationships & Future Plan...
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Halle Berry & Olivier Martinezs Sons Name Revealed
Amber Riley Sings "I'll Stand By You" to Honor Cor...
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